Date to be determined
I am astounded at how much time has elapsed from that night by Blind Springs until now. So much has happened. I have experienced many wonders; I hope my memory serves as I write.
I woke before dawn, in the between time, not yet day, but no longer night. Inanna stood before the rock where the spring spurted forth. She was dressed as a Queen and goddess.
I had decided what I would bring before I slept, and quickly dressed. Jenny and Verdia are living creatures. I could not bring them into an unknown, so they must stay behind. I left Jenny unpacked and unfettered, free. I left tent and supplies, bedroll and extra clothes, toiletries protected in a cairn. Perhaps some other traveler to these springs might find them of use. I wore only my clothes and the symbols of the things I hold most dear, things which tether me to the people and things beloved to me. I joined Inanna at the rock face.
“I am ready.”
Inanna smiled gently. “In the holy words of the Christian Bible, you are told you must be born again. The metaphor of a seed dying and being buried in the ground speaks to this. The seed will germinate and grow, but first it must die. And so must we all.”
Inanna struck her rod on the ground. The earth trembled, a fissure breaking open at our feet. I clung to Inanna to keep from falling; she was immovable, solid as the earth itself. When the steam and rumbling stopped, I saw the hole opened to a winding stair, as if we were atop a buried tower of an ancient castle.
Inanna spoke again. “When you enter here you are leaving the world you know. If you return, nothing will be as you remember it.”
If I return. I looked behind me. Jenny looked at me with quiet eyes, and nodded. I unwound Verdia from my neck and put her on the ground.
Then I began my descent.
The winding steps into the earth seemed to have no end. Night had fallen in the world above, leaving us in darkness. In the dark I followed the wall with my hand, carefully seeking each step with my foot. It was impossible to measure time. Perhaps it was only minutes to descend, perhaps hours or days. Here, as elsewhere on this journey, time is irrelevant.
In due time we arrived at a gate. It was illuminated by torch light, revealing carvings of ancient stories. I ran my hand over the reliefs, wishing I could sketch them; learn their stories, and the meanings within the stories. Before the closed door stood the gatekeeper clothed in gold. Inanna was taller and more regal than the gatekeeper, but she bowed to her. I bowed as well.
“Who are you and why have you come?”
“I am Inanna, Queen of Heaven, Queen of Earth, Beloved of her People, sister to Ereshkigal, Queen of the Underworld. I have come to mourn with my sister the death of her husband.”
“Before you enter you must relinquish your crown. In the realm of Ereshkigal you are sovereign no longer. Not of others, not of yourself. To enter you must submit to the sovereignty of Ereshkigal.”
Inanna lifted the jeweled silver and gold crown from her head and gave it to the gate keeper. The gatekeeper opened the door and Inanna passed through. Then she turned to me. “Who are you and why have you come?”
I didn’t know how to answer. Who am I? Why was I following an ancient goddess into the Underworld?
“I don’t know who I am, and I hope I will find out as I journey through your realm.”
“Before you enter you must relinquish your crown. In the realm of Ereshkigal you are sovereign no longer. Not of others, not of yourself. To enter you must submit to the sovereignty of Ereshkigal.”
“But I am not a sovereign, I have no crown.”
“In your past you have ruled over yourself and over others. Your hair is your crown.”
I gasped. Relinquish my hair? My hair is my crowning glory. It is admired wherever I go. As I have aged it is the only thing that has retained its beauty and luster. And I have tried to rule my own destiny, I have had the privilege of choices women in other times and places do not have. As a mother and supervisor I have been in authority over others. I am ashamed to admit I have abused that authority, out of pride and ignorance.
I considered, is losing my hair worth the price of being reborn?
“I relinquish my hair.”
The gatekeeper brought out scissors and razor from her robes. She cut my hair close to my scalp, and then shaved my head smooth. My head felt light, and cool. I ran my hand over my scalp, it was smooth. The gatekeeper held up a mirror. I looked strange. My eyes were enormous in my face, my ears stuck out comically. I smiled at my strange appearance, but tears stung my eyes. Oh! My beautiful hair!
The gatekeeper opened the door and allowed me to pass through. I could not see Inanna, but I could sense her presence ahead. The way was wholly dark, I shuffled forward, afraid of tripping. But the way was smooth, and I gained confidence and began to walk normally. Again time was impossible to measure.
In due time the second gate appeared. This gate glowed silver in the dark, illuminated from within. This gate, like the first, intrigued me with its impressions of ancient stories. Inanna was ahead of me. I stood beside her, as the gatekeeper addressed her.
“Who are you and why have you come?”
“I am Inanna, Queen of Heaven, Beloved of her People, sister to Ereshkigal, Queen of the Underworld. I have come to mourn with my sister the death of her husband.”
“To enter you must relinquish the beads around your neck.”
“Why must I relinquish them?”
“The beads are the gift of your family, each bead a token of a natal tie, a relationship you cherish. You must give up these relationships to enter here.”
Silently Inanna undid the clasp of her beads and gave them to the gatekeeper. Silently the gate keeper opened the gate, allowing Inanna to pass.
The gatekeeper turned to me. “Who are you and why have you come?”
“Don’t you get tired of repeating the same question? And what do you do with the tokens you demand?”
I couldn’t believe I said that! What cheek! Where did that impishness come from?
The gatekeeper laughed a belly laugh. “My existence is more than you can imagine. As for the tokens demanded, that is not for you to know. But don’t be afraid of asking questions. At worse you might offend, but is that about you or the offended one?”
“Who are you and why have you come?”
“I am not sure who I am, or why I have come. I hope I will find answers on this journey.”
“To continue you must give me your multicolored bracelet and your talisman amulet.”
I gasped. “Why?”
My bracelet is very important to me. It was significant in my healing after my baby, the last child I could ever bear, was killed. I was shattered, suicidal. The pain tortured every breath I took. I cried daily for over a year. Somehow I had to get past the pain, relinquish my beloved child. But how could I let go? I loved him so much, missed him so much.
One night I dreamed a dream so real that when I awoke I was disoriented. I was sitting up in bed when just a heartbeat ago I was standing at the mantel, holding his box of ashes to my breast, weeping.
I felt a heavy, comforting hand on my shoulder. I knew without looking it was God.
“Shall I bring him back?”
Joy indescribable flooded my heart.
“Oh, Lord! Would you really do that for me?”
God’s voice was very tender and gentle. “Only if you truly want me to.”
All the air left my lungs. Tears began to flow again. How could I take my beloved child out of heaven into a world of suffering? In just a little while, though it seems so long, we will be reunited for all eternity. I am the mother, it is I who should suffer for his sake, not he suffer for mine.
“No.” In that little word, in that enormous choice, I let go.
The hand on my shoulder gave an affectionate squeeze. “I hold you in one hand. I hold your baby in the other. I am the link between you, and I my love will never fail. Peace, my daughter.”
Then I resolved to find a way to make my memory of my child a blessing for myself. I made my bracelet, each bead representing someone beloved. In among the beads were porcelain beads of the letters of his name. Each letter stood for a kind of prayer. A is for adoration. N is for names, to pray for people. D is for Dayenu, giving thanks, being grateful. E is for examine, examine my heart for bitter shoots and pull them out. R is for relinquish, to let go of the things that hinder. S is for supplication, for asking for what I need.
As for my talisman amulet, Sybilla suggested I make one for the Journey along the Road of the Rainbow Serpent, the journey that brought me to this gate. I stitched it from a scrap of silk brocade leftover from the qi pao I made for my adopted daughter. She is a joy and delight I would never have known had my last baby lived. She is a gift of her brother to me. The choice of silk brings me full circle in my healing.
I agonized for weeks over what to put inside the brocade bag. Finally, I knew – a small scroll with the names of those I love, a miniature of the illumination I made for the N of my baby’s name. The bracelet and illumination center me when I pray for those listed. Praying these names helps me love those people. Some are very difficult to love.
How could I give this up?
“The bracelet and amulet represent the relationships that tether you to the land of the living, and the land of the dead. You must be free of them to enter here.”
I knew I must, but it wrenched my heart to do so. Slowly, weeping all the while, I unwound the bracelet from my wrist and the amulet from my neck, giving them to the gate keeper.
He opened the gate for me, and I shuffled past, crying from a broken heart.
“Peace, my daughter,” he said before he closed the gates behind me.
I wept bitterly as I stumbled along, stumbling although the path was smooth. Eventually the tears spent themselves. I fell to my knees and slept.
When I woke I felt like I had barely the strength to rise, but I felt free as well. I was ready to stumble onward once more.
Perhaps I walked minutes, perhaps hours or days. In due time I reached a third gate, glowing brilliantly red in the dark. Inanna was there ahead of me. I stood by her as the gatekeeper addressed her.
“Who are you and why are here?”
“I am Inanna, Queen of Heaven, come to comfort Ereshkigal because her husband has died.”
“To enter here you must give up your long stand of beads.”
“Why must I?”
“The beads represent who you are as a woman; your sensuality, attractiveness, fertility. You must be free of them to enter here.”
Silently Inanna lifted the long strand of beads from her neck and gave them to the gatekeeper. Silently the gate keeper opened the gates and let her pass.
Then it was my turn. I thought as I awaited the inevitable question of who am I and why am I here, questions I could not answer. I thought about what I would be asked to give up at this gate.
My gold rings.
“Why must I give up my rings?”
“Your rings symbolize you as a woman; your sensuality, attractiveness, fertility. You must be free of them to enter here.”
Oh! My precious rings! On the fourth finger of my left hand I wear my wedding band, a simple, plain circlet of 14 karat gold. It reminds me of the dizzy ecstasy of romantic love. The time when I was beautiful, desirable, courted by many, wanting only one. It brings back the halcyon days of our courtship, wedding, early marriage. Of the commitment holding us together when ecstasy waned. It reminded me of the discovery of sexual pleasures, the discovery of feelings within my body I never knew were there. And of the ripening of my body to bear a child, and another, and a last. It reminds me of the incredible bond of the babies suckling at my breast, their deep contentment and my awe.
On the fourth finger of my right hand is another gold band, pure gold, the words ‘I love you” cut out of the metal. This ring reminds me of the only time I was tempted to be another man’s lover. Tempted. A crossroads of choice. Surprised that another could arouse me just by his presence. Amazed I could feel such desire. Trembling at the force of passion. Afraid to give in, but wanting to.
I chose fidelity. In choosing, I realized that I really loved my husband. The passion may be cool; the realities of daily life have polished us into complacency. Yet, we have grown together. Half of my life has been lived with this man. Our children’s faces look like both of us. Our life together has been poetry and prose. It is more precious than satisfying physical desire. The desire I felt for the other is surpassed by the love I have for my husband. Love that has ceased to be a feeling and has become part of my bones. It is deep in the pith of me, a choice I make daily, purer, stronger than the idealistic vows made on our wedding day. Living those vows, in all the pain better and worse, richer and poorer, sickness and health, joy and sorrow, changed ideals to reality. Choosing fidelity makes me cling to him tenaciously, forsake all others and cleave only to him, even now when it seems it is impossible to stay together.
This is what my gold rings represent to me. How can I give them up?
What can be worth giving up my rings and what they represent?
I know I must go on. Slowly I take off my rings and place them in the gate keeper’s outstretched hand.
The gate opens for me; I pass through its ruby portals, and continue.
A year and a day? A blink of an eye? I don’t know. But in due time I come to the fourth door in the wake of Inanna.
She is ahead of me facing the gatekeeper of an emerald gate. The price of passing this gate is for her to relinquish rod and measuring line.
“Why?”
Somehow it comforts me that even a goddess wants to know why.
“These are symbolic of your work, your industry. You have no need of these here.”
Again Inanna hands over what is asked for compliantly, almost casually. Do these things matter so little to her? She does not seem to agonize over the choice to hold on or let go. Is something wrong with me that I find this so difficult? Everything that defines who I am is being stripped away, and yet I do not know who I am.
Am I my name? I wonder.
No. My name only differentiates me from all the other human souls that have passed or will pass this gate. It is no more me than Antares is the star it names. Nor am I my fingerprint, foot print or body.
Whoever I am, I am dying, shedding myself as I descend deeper and deeper into the mysterious depths.
“Who are you and why are you here?”
I sigh. “I have no idea.”
“To enter here you must give me your pack.”
Inwardly I groan. My pack is heavy, but up until now has not been a burden. It contains my journal, sketchpad, pencils, pens, needlework, and bowed psaltery. These things give me creative pleasure.
“Why?” If Inanna can ask, so can I.
“These are symbolic of your work, your industry. You have no need of them here.”
How I wish! My work and industry are the jobs I hold to provide daily needs. Would I could live by the words I write and art I create! A professor of mine once wrote a poem about the difference between making a living and making a life. I wish what I do to make a life were also the way I make a living. My work keeps my body and soul connected so I can find spare moments to live. Right the gatekeeper is to ask for my precious pack and not the accoutrements of my jobs. Those I would surrender joyfully.
I am naked without a scrap of blank paper and a stub of pencil tucked somewhere upon my person. God bless the creator of pockets! While I wallow in the mundane, my creative antennae are waggling, seeking puffs of inspiration, that I jot down and hoard like a miserly dung-beetle.
I believe I do need these here. I need to record this journey.
I pry my pack from my back and drop it at the gatekeeper’s feet, hoping it lands on an emerald toe.
I pass through, my back straight, but despondent. I chose this path just because I would always wonder ‘what if?”
What if it is not worth it?
On and on –
The road goes ever on –
Ending at a radiant door of amethyst.
Here Inanna hands over her golden arm band, symbolic of her status, her debts, assets, possessions, obligations.
I am asked for my shoes, symbolic of social standing I suppose.
I tend to be very practical about my footwear. Comfort at any price. Never compromise the quality of your mattress or your shoes, said grandmother. If you aren’t in one, you are in the other.
The beauties on my feet are both lovely and practical. Still, it does not ache to let them go. Social status isn’t as important to me as sitting and scribbling all day, or baking bread, or kissing my husband or cuddling my children.
I take them off and pass through the gate.
The ground through the dark has been smooth so far. Now it turns rocky. My feet are bleeding and sore by the time I arrive at the Lapis lazuli gate, hobbling behind Inanna.
The gatekeeper asks Inanna for her breastplate, symbol of her role as goddess, as priestess. Here I note a trembling as she removes the cumbersome ornament and gives it away.
I am asked for my cross on a chain, a symbol of my Christian faith, which had been dear to me since childhood. My stepfather recalls me talking to the stars, telling God everything. Indeed, prayer is to me simply talking out loud, as if to a trustworthy friend. While Jesus is still beloved, Christianity isn’t. This symbol is easy to relinquish as my shoes.
I go on, arriving at the final gate made of onyx.
I am glad Inanna is ahead of me. Listening to her exchange with the gatekeeper prepares me for my own. And it is gratifying to know I am keeping up with a goddess.
Here we are asked to disrobe, remove the vestiges of identity. The clothes I carefully stitched for the journey, the flowing folk dress, serviceable burnoose, are discarded. Every stitch we wear, from our underwear to our overcoat shouts who we are.
Here I am, naked with no identity. Simply a body, the shell of a human being. Inanna precedes me still, still poised and regal, every bit a goddess, even stripped of everything.
I try to follow her example, but my face burns red with shame. Inanna isn’t dumpy like I am. Her belly is a little pouchy. Her breasts do sag, but not nearly as much as mine. Her buttocks are firm. I am grateful I cannot see mine and have to face their existence. I am overweight, resplendent with stretch marks. I am ashamed of how I look.
At least Inanna has her hair. I recall the mirror visage of myself after my head was shaved. My humiliation is complete.
The worst is yet to come.
Ereshkigal.